Bosko Begovic est un artiste conceptuel. En tant qu’expert en arts martiaux et en mouvement, il a travaill\u00e9 comme artiste de performance et chor\u00e9graphe. Il a eu plusieurs expositions avec des dessins qui sont devenus une partie de la bande dessin\u00e9e du philosophe, la plate-forme qui fonctionne comme un espace de recherche sur la question de la relation (s) avec une tournure th\u00e9orique qu’il a d\u00e9crite dans sa M\u00e9thodologie (th\u00e9orie inspir\u00e9e principalement par la philosophie de Slavoj \u017di\u017eek , et sa lecture de Hegel \u00e0 travers l’outil th\u00e9orique de Jacques Lacan).<\/p>\n
Travaille actuellement, en plus de terminer le Manuel sur le n\u00e9ant, sur l’exploration de la relation entre le SON et le mouvement, et o\u00f9 est l’espace pour le d\u00e9sir dans le mouvement lui-m\u00eame, ce qui serait la continuation du Manuel sur le n\u00e9ant, en tant que pi\u00e8ce de performance sur la fa\u00e7on dont le Rien ne bouge.<\/p>\n
<\/p>\n
Bosko Begovic is a conceptual artist. As an expert in martial arts and movement he worked as a performance artist and choreographer. He had several exhibitions with drawings that became part of the the philosopher\u2019s comic, the platform that works as a space for research on question of relation(s) with a theoretical twist he portrayed in his Methodology (theory inspired primarily by the philosophy of Slavoj \u017di\u017eek, and his reading of Hegel through the theoretical tool of Jacques Lacan).<\/p>\n
Currently working, apart from finishing the Manual on Nothing, on exploration of relation between the SOUND and movement, and where is the space for desire in movement itself, which would be continuation of the Manuel on Nothing, as a performance piece on how does the Nothing move.<\/p>\n","protected":false},"excerpt":{"rendered":"
Bosko Begovic est un artiste conceptuel. En tant qu’expert en arts martiaux et en mouvement, il a travaill\u00e9 comme artiste de performance et chor\u00e9graphe. Il […]<\/p>\n","protected":false},"author":1,"featured_media":4024,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[530],"tags":[643,494,200],"class_list":["post-4019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nantes-irrational-collective","tag-bosko-begovic","tag-electronoise","tag-nantes"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/4019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=4019"}],"version-history":[{"count":4,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/4019\/revisions"}],"predecessor-version":[{"id":4023,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/4019\/revisions\/4023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/4024"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=4019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=4019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=4019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}