{"id":378,"date":"2016-08-19T20:30:22","date_gmt":"2016-08-19T20:30:22","guid":{"rendered":"http:\/\/apo33.org\/electropixel\/?p=378"},"modified":"2026-10-23T10:09:58","modified_gmt":"2026-10-23T10:09:58","slug":"tms-tina-madsen-malte-steiner","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2016\/08\/19\/tms-tina-madsen-malte-steiner\/","title":{"rendered":"TMS (Tina Madsen & Malte Steiner)"},"content":{"rendered":"
\"\"<\/figure>\n\n

Tina Mariane Krogh Madsen & Malte Steiner<\/b><\/span><\/span><\/span><\/p>\n

Performance le vendredi 19 Ao\u00fbt \u00e0 20h30<\/span><\/span><\/span><\/p>\n

Performance on August, friday 19th at 8.30pm<\/span><\/span><\/span><\/p>\n

http:\/\/tms.tmkm.dk\/#home<\/a><\/p>\n

https:\/\/soundcloud.com\/tms_noise<\/a><\/p>\n

movement(al) distortion(s)<\/b><\/p>\n

noise-performance\/ concert, 30 minutes<\/i><\/span><\/span><\/span><\/p>\n

Performative inputs of objects and body(triggered) sounds will be transformed, hacked and distorted through the use of electronic manipulation. The feed-ins will happen live and run through a Pure Data patch to various pedals and other manipulators that transform these into a dynamic noise-scape. Translating and modifying movement and interaction with body and objects into sound.<\/span><\/span><\/span><\/p>\n

The sources and inputs will come from the interaction of the two performers, each bringing physical elements into the shared composition. Sounds from objects feed into the sound structure through the use of piezos as well as sounds from the interaction between body and surfaces of the surrounding space will be picked up by custom made sewn in microphones. Both performers will together live manipulate each others (as well as their own) sounds into an interwoven structure of dynamic noise patterns.<\/span><\/span><\/span><\/p>\n

The objects used for this performance will be found objects collected around the site of the festival, which gives an element of site specificity and chance into the creation of the piece. In this way the presumed natural qualities and use of these objects as well as the body will be transformed in the collective composition of the two performers.<\/span><\/span><\/span><\/p>\n

Using the body and physical found objects as inputs for sound, this performance hacks into the use and characteristics of these and in this way creates a translation into new expressions through live manipulations and distortion.<\/span><\/span><\/span><\/p>\n

TMS<\/b> is an experimental noise-performance project by artists Malte Steiner and Tina Mariane Krogh Madsen.<\/span><\/span><\/span><\/p>\n

The format of the TMS project isimprovisational performances built out of Steiner and Madsen’s sonic interactions, where noise-scapes and complexstructures emerge from intense layering of various sonic in- and outputs. The physical interaction with materials has an additional focus in TMS’ performances, and thus to create a more performative and visual sound experience. The choice of elements for each performance is important, where each plays an important role in the sound as well as in the visual character of the performance.<\/span><\/span><\/span><\/p>\n

Tina Mariane Krogh Madsen<\/b> is a Danish, Berlin-based independent artist researcher and curator, who works in the intersection between performance art and media. She hold a Master of Arts in Art History from Aarhus University (DK) as well as having an education from the College of Arts Crafts and Design in N\u00f8rresundby (DK), where she began studying performance art in 1999. Madsen’s research deals with theory as well as practice and how these can intertwine as inseparable entities. <\/span><\/span><\/span><\/p>\n

Malte Steiner <\/b><\/i>is a German, Berlin-based media artist, electronic musician and composer. Steiner started creating electronic music and visual art around 1983, developing his own vision of the interdisciplinary Gesamtkunstwerk. Steiner’s musical projects are primarily the experimental electro-acoustic Elektronengehirn, the industrial outfit Notstandskomitee, Akustikkoppler (with Matthias Schuster), Das Kombinat, Embedded Artist (with Wolfgang Spahn) and TMS (with Tina MK Madsen). http:\/\/www.block4.com<\/a><\/span><\/span><\/span><\/p>\n

 <\/p>\n

Movement(al) distortion(s)<\/b><\/p>\n

noise-performance\/ concert, 30 minutes<\/i><\/p>\n

Les sons du corps et d’objets branch\u00e9s seront transform\u00e9s, hack\u00e9s et distordus \u00e0 traves l’utilisation de manipulation \u00e9lectronique. L’arriv\u00e9e de ces sons et leur passage \u00e0 travers des logiciels d’effets et autres modificateurs les transformeront vers un paysage sonore dynamique. Traduisant et modifiant le mouvement et l’int\u00e9raction du corps et des objets vers du son pur.<\/span><\/span><\/span><\/p>\n

La source de ces sons proviendra de l’int\u00e9raction des deux performeurs, chacun apportant une pr\u00e9sence physique dans cette composition partag\u00e9e. Les objets utilis\u00e9s pour cette performance seront al\u00e9atoirement choisis autour du lieu, qui s’int\u00e9grera ainsi \u00e0 la composition sonore. Ainsi, les qualit\u00e9s naturelles acoustiques de chaque \u00e9l\u00e9ment, aussi bien des objets que des performeurs eux-m\u00eame seront int\u00e9gr\u00e9s \u00e0 cette performance sonore et imaginative.<\/span><\/span><\/span><\/p>\n

Utilisant le corps et des objets pour produire du son, cette performance s’inscrit dans une volont\u00e9 de hacking des caract\u00e9ristiques physiques et ainsi cr\u00e9er un de nouvelles expressions \u00e0 travers les manipulations lives et la distorsion.<\/span><\/span><\/span><\/p>\n

TMS<\/strong> est une performance noise exp\u00e9rimentale de Malte Steiner et Tina Mariane Krogh Madsen. Le format de TMS consiste en une s\u00e9rie de performances improvis\u00e9es articul\u00e9es autour des interactions de Steiner et Madsen, d’o\u00f9 \u00e9mergent des structures complexes<\/span>. L’int\u00e9raction physique avec le mat\u00e9riel induit un but au sein des performances TMS : L’id\u00e9e de cr\u00e9er une exp\u00e9rience audiovisuelle plus performative. Le choix des \u00e9l\u00e9ments de chaque performance est important, l\u00e0 o\u00f9 chacun joue un r\u00f4le important dans les sonorit\u00e9s ainsi que dans le caract\u00e8re visuel de la performance.<\/span><\/span><\/span><\/span><\/p>\n

Tina Mariane Krogh Madsen<\/strong> est une artiste danoise vivant \u00e0 Berlin. Chercheuse, artiste ind\u00e9pendante, elle travaille \u00e0 l\u2019intersection entre la performance et l\u2019art m\u00e9diatique. Elle est d\u00e9tentrice d\u2019un master en histoire des arts de l\u2019Universit\u00e9 d\u2019Aarhus (Danemark) et forte d\u2019un cursus au College of Arts Crafts and Design de N\u00f8rresundby (Danemark) o\u00f9 elle a commenc\u00e9 \u00e0 \u00e9tudier la performance artistique en 1999. Les recherches de Madsen se concentrent aussi bien sur la th\u00e9orique que sur la pratique et comment ces domaines peuvent s\u2019entrelacer en d\u2019ins\u00e9parables entit\u00e9s.\u00a0http:\/\/www.tmkm.dk<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Malte Steiner<\/strong> est un artiste m\u00e9dia allemand vivant \u00e0 Berlin. Musicien \u00e9lectronique et compositeur, Steiner a commenc\u00e9 la cr\u00e9ation de musique \u00e9lectronique et d’arts visuels depuis 1983, il a d\u00e9velopp\u00e9 au fil du temps sa propre vision du Gesamtkunstwerk (l’art total). Ses projets musicaux sont nombreux et vari\u00e9s, principalement de l’\u00e9lectro-acoustique exp\u00e9rimentale (Elektronengehirn), Akustikkoppler (avec Matthias Schuster), Das Kombinat ou TMS (avec Tina MK Madsen)<\/span><\/span><\/span>. http:\/\/www.block4.com<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Tina Mariane Krogh Madsen & Malte Steiner Performance le vendredi 19 Ao\u00fbt \u00e0 20h30 Performance on August, friday 19th at 8.30pm http:\/\/tms.tmkm.dk\/#home https:\/\/soundcloud.com\/tms_noise movement(al) distortion(s) […]<\/p>\n","protected":false},"author":1,"featured_media":387,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[57,61],"tags":[],"class_list":["post-378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-electro6","category-performances6"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=378"}],"version-history":[{"count":4,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/378\/revisions"}],"predecessor-version":[{"id":4565,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/378\/revisions\/4565"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/387"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}