{"id":370,"date":"2016-08-20T14:00:36","date_gmt":"2016-08-20T14:00:36","guid":{"rendered":"http:\/\/apo33.org\/electropixel\/?p=370"},"modified":"2026-10-23T10:01:39","modified_gmt":"2026-10-23T10:01:39","slug":"tina-mariane-krogh-madsen-malte-steiner","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2016\/08\/20\/tina-mariane-krogh-madsen-malte-steiner\/","title":{"rendered":"Tina Mariane Krogh Madsen"},"content":{"rendered":"
\"\"<\/figure>\n\n

Tina Mariane Krogh Madsen
\n<\/b><\/span><\/span><\/span><\/p>\n

Performance les samedi 20 Ao\u00fbt apr\u00e8s-midi et dimanche 21 Ao\u00fbt apr\u00e8s-midi<\/span><\/span><\/p>\n

Performance on August, saturday 20th afternoon and August, sunday 21st afternoon<\/span><\/span><\/p>\n

www.tmkm.dk<\/a><\/p>\n

http:\/\/bodyinterfaces.tmkm.dk\/#home<\/a><\/p>\n

http:\/\/tmkm.dk\/works\/bodyinterfaces.html<\/a><\/span><\/span><\/span><\/p>\n

body.data.space (site.hacking) <\/b>is a workshop that centers around the possibilities of analyzing and recapturing urban space through performance practices and thus hacking its functions through the use of the body and its relation to site and environment. The workshop will explore territories, observe and intervene!<\/span><\/span><\/span><\/p>\n

Using the method of Tina Mariane Krogh Madsen’s Body Interfaces research, the body will be used as a data-gathering tool to explore places and interact with these. It introduces spatial theory and tactical intervention practices, where the body will be the technological tool to use as a critical instrument. In the area where the workshop will take place initial hierarchies and power structures will be deconstructed through engaging with a selected site, data-mining with and through the body as a catalyst.<\/span><\/span><\/span><\/p>\n

The workshop will be in three parts:<\/span><\/span><\/span><\/p>\n

1. Introduction to the method and to critical spatial practices.<\/span><\/span><\/span><\/p>\n

2. Observation and registration \u2013 uncovering how the site is used, what is its characteristics and how is it systematized.<\/span><\/span><\/span><\/p>\n

3. Intervention \u2013 how can we as performers hack into the use and the structure of space and create critical situations and potentially disrupt the use and the thought of space and place.<\/span><\/span><\/span><\/p>\n

The workshop will be held in English.<\/span><\/span><\/span><\/p>\n

Duration 3 hours on a selected location in Nantes.<\/span><\/span><\/span><\/p>\n

Through its deconstructive nature, the workshop deals with hacking practices and creating alternative zones of interaction as well as it challenges the normative use of urban space. It wishes to give the participants an experience of dealing with the cityscape in a new and transformative way as well as to introduce methods of transgression and intervention through everyday spatial practices.<\/span><\/span><\/span><\/p>\n

<\/div>\n

Tina Mariane Krogh Madsen is a Danish, Berlin-based independent artist researcher and curator, who works in the intersection between performance art and media. She hold a Master of Arts in Art History from Aarhus University (DK) as well as having an education from the College of Arts Crafts and Design in N\u00f8rresundby (DK), where she began studying performance art in 1999. Madsen’s research deals with theory as well as practice and how these can intertwine as inseparable entities. The main focus points of her work and research are: performative practices, post-humanism and genders studies, internet-based art and networked performance, site specificity, system aesthetics, open technology and sound. Madsen has presented her work internationally in various forms and contexts. Her Body Interfaces artistic research has been performed e. g. at the Flj\u00f3tstunga Artist Residency in Iceland, the Electropixel Festival in Nantes (FR), Wolfart Project Space, Rotterdam (NL), as a week long durational processual scripting at Gr\u00fcntaler9 in Berlin (DE) as well as presented at the Interface Politics International Conference in Barcelona. Madsen has additionally been a curator of the Museum of Contemporary Art in Roskilde (DK), a contributor to the anthology Cybermuseology published by Aarhus University Press as well as she lectures for Node Center for Curatorial Studies in Berlin (DE).<\/span><\/span><\/span><\/span><\/p>\n

 <\/p>\n

Body.space.data (site.hacking)<\/strong> est un atelier centr\u00e9 autour des possibilit\u00e9s d’analyse et de capture de l’espace urbain \u00e0 travers des performances ; Ainsi l’utilisation du corps et de sa relation \u00e0 l’environnement fonctionne ici comme du hacking. Cet atelier a pour but d’explorer, observer et intervenir !<\/span><\/span><\/p>\n

Utilisant les recherches de Tina Mariane Krogh Madsen sur les interfaces corporelles, le corps va \u00eatre utilis\u00e9 comme un outil de convergence de donn\u00e9es afin d’explorer les lieux et int\u00e9ragir avec eux. Ceci introduit des pratiques d’intervention de l’espace th\u00e9oriques et tactiques o\u00f9 le corps va \u00eatre un outil technologique destin\u00e9 \u00e0 devenir un instrument.<\/span><\/span><\/span><\/p>\n

L’atelier sera en 3 parties :<\/span><\/span><\/p>\n

1. Introduction \u00e0 la m\u00e9thode et aux pratiques spatiales.<\/span><\/span><\/p>\n

2. Observation et enregistrement \u2013 D\u00e9couvrir comment le lieu est utilis\u00e9, quelles sont ses caract\u00e9ristiques et comment il est syst\u00e9matis\u00e9.<\/span><\/span><\/p>\n

3. Intervention \u2013 Comment, en tant que performeurs, pouvons-nous nous introduire au sein de la structure de l’espace et cr\u00e9er des situations critiques afin de perturber l’utilisation et l’objet de cet espace.<\/span><\/span><\/p>\n

L’atelier sera dirig\u00e9 en anglais et d’une dur\u00e9e de 3 heures.<\/span><\/span><\/span><\/p>\n

A travers sa nature d\u00e9constructive, l’atelier joue avec les pratiques de hacking et la cr\u00e9ation de zones d’int\u00e9raction alternatives destin\u00e9es \u00e0 perturber l’utilisation normale de l’espace urbain. Son but est de donner aux participants une exp\u00e9rience de mise en relation avec des m\u00e9thodes de transgression et d’intervention afin de transformer le rapport \u00e0 la ville, et \u00e0 la fuite de celle-ci.<\/span><\/span><\/span><\/p>\n

Tina Mariane Krogh Madsen est une artiste danoise vivant \u00e0 Berlin. Chercheuse, artiste ind\u00e9pendante, elle travaille \u00e0 l’intersection entre la performance et l’art m\u00e9diatique. Elle est d\u00e9tentrice d’un master en histoire des arts de l’Universit\u00e9 d’Aarhus (Danemark) et forte d’un cursus au College of Arts Crafts and Design de N\u00f8rresundby<\/span><\/span><\/span> (Danemark) o\u00f9 elle a commenc\u00e9 \u00e0 \u00e9tudier la performance artistique en 1999. Les recherches de Madsen se concentrent aussi bien sur la th\u00e9orique que sur la pratique et comment ces domaines peuvent s’entrelacer en d’ins\u00e9parables entit\u00e9s. Le c\u0153ur de son travail est ax\u00e9 sur les pratiques performatives, le post-humanisme et la question de genre. Artiste pr\u00e9sent\u00e9e \u00e0 l’international dans diff\u00e9rents contextes et sous diff\u00e9rentes formes, ses recherches artistiques sur l’interface corporelle a \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 la Flj\u00f3tstunga Artist Residency<\/span><\/span><\/span><\/span> en Islande, au festival Electropixel 2015, au Wolfart Project Space \u00e0 Rotterdam (Hollande), au Gr\u00fcntaler9 \u00e0 Berlin et \u00e0 la Interface Politics International Conference<\/span><\/span><\/span><\/span> de Barcelone. Enfin, Madsen a \u00e9t\u00e9 conservateur au mus\u00e9e d’art contemporain de Roskilde (Danemark) et a contribu\u00e9 \u00e0 la publication de l’anthologie Cybermuseology des presses de l’universit\u00e9 d’Aarhus et lue publiquement au Node Center for Curatorial Studies \u00e0 Belin.<\/span><\/span><\/span><\/p>","protected":false},"excerpt":{"rendered":"

Tina Mariane Krogh Madsen Performance les samedi 20 Ao\u00fbt apr\u00e8s-midi et dimanche 21 Ao\u00fbt apr\u00e8s-midi Performance on August, saturday 20th afternoon and August, sunday 21st […]<\/p>\n","protected":false},"author":1,"featured_media":388,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[57,63],"tags":[],"class_list":["post-370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-electro6","category-workshops6"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=370"}],"version-history":[{"count":7,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/370\/revisions"}],"predecessor-version":[{"id":4547,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/370\/revisions\/4547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/388"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}