{"id":3658,"date":"2022-07-18T17:16:07","date_gmt":"2022-07-18T17:16:07","guid":{"rendered":"http:\/\/electropixel.org\/?p=3658"},"modified":"2022-07-18T17:16:29","modified_gmt":"2022-07-18T17:16:29","slug":"marlo-de-lara","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2022\/07\/18\/marlo-de-lara\/","title":{"rendered":"MARLO DE LARA"},"content":{"rendered":"<p>Marlo de Lara<br \/>\nN\u00e9e \u00e0 Baltimore, MD, Marlo De Lara (elle\/ils\/siya) a obtenu un doctorat en beaux-arts, histoire de l&#8217;art et \u00e9tudes culturelles de l&#8217;Universit\u00e9 de Leeds, une ma\u00eetrise en \u00e9tudes psychosociales du Centre de psychanalyse de l&#8217;Universit\u00e9 d&#8217;Essex. Ses domaines de recherche se concentrent sur les histoires\/r\u00e9cits personnels et sociaux, les \u00e9tudes postcoloniales\/post-imp\u00e9riales, les traumatismes raciaux et les \u00e9tudes sur la migration\/diaspora, en particulier les Philippins\/a\/o am\u00e9ricains.<\/p>\n<p>Sa pratique travaille dans les domaines de la performance sonore, de la distraction visuelle et du film, visant \u00e0 brouiller les d\u00e9finitions de l'(in)intentionnel et de l'(im)permanent. \u00c0 l&#8217;aide d&#8217;objets trouv\u00e9s, d&#8217;installations et de diverses formes d&#8217;amplification, les environnements\/structures utilisent le son pour produire un effet significatif. Se concentrant sur les interactions entre le son, le travail visuel et les histoires de ceux qui rencontrent le travail, elle se d\u00e9lecte des possibilit\u00e9s d&#8217;interpr\u00e9tation.<\/p>\n<p>Inform\u00e9e par ses voyages et ses exp\u00e9riences de passage \u00e0 l&#8217;\u00e2ge adulte en tant qu&#8217;enfant de migrants philippins, une lentille de pratique\/recherche sociopolitique f\u00e9ministe sans vergogne est employ\u00e9e, \u00e9ditorialisant sur les conditions mondiales contemporaines. De Lara est actuellement professeure principale au AMDA College and Conservatory of Performing Arts et a \u00e9t\u00e9 boursi\u00e8re 2021 de l&#8217;Intercultural Leadership Institute. L&#8217;Institut de leadership interculturel est une exp\u00e9rience de leadership intensive d&#8217;un an pour les artistes, les porteurs de culture et les autres praticiens des arts. ILI est un programme collaboratif d&#8217;Alternate ROOTS, First Peoples Fund, National Association of Latino Arts &amp; Cultures (NALAC) et PA&#8217;I Foundation, avec le soutien financier de la Andrew W. Mellon Foundation, National Endowment for the Arts, entre autres.<\/p>\n<p>https:\/\/marlodelara.squarespace.com<\/p>\n<p><a href=\"https:\/\/fractalmeat.bandcamp.com\/album\/callosity\" target=\"_blank\">https:\/\/fractalmeat.bandcamp.com\/album\/callosity<\/a><\/p>\n<p><a href=\"https:\/\/thecoldvacuumofspace.bandcamp.com\/album\/head-rush-ed\" target=\"_blank\">https:\/\/thecoldvacuumofspace.bandcamp.com\/album\/head-rush-ed<\/a><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=Hvz-6BMZ8bU<\/p>\n<p>https:\/\/fractalmeat.bandcamp.com\/album\/callosity<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>Marlo de Lara<br \/>\nBorn in Baltimore, MD, <strong>Marlo De Lara<\/strong> (she\/they\/siya) received a PhD in Fine Art, History of Art and Cultural Studies at University of Leeds, a Masters in Psychosocial Studies from the Center for Psychoanalytic Studies from the University of Essex. Her research areas focus on personal and\u00a0social histories\/narratives, postcolonial\/post-imperial studies, racial trauma, and migration\/diaspora\u00a0studies, specifically Filipinx\/a\/o Americans.<\/p>\n<p>Her practice works within the realms of sound performance, visual distraction, and film, aiming to blur definitions of the (un)intentional and\u00a0(im)permanence. Using found objects, installation, and various forms of\u00a0amplification, environments\/structures use sound to impart meaningful affect. Focusing on\u00a0interactions between sound, visual work, and the stories of those encountering the work, she revels in interpretive possibilities.<\/p>\n<p>Informed by her journeys and coming-of-age experiences as the child of Philippine migrants, an unabashed feminist sociopolitical practice\/research lens is used, editorializing on contemporary global conditions. De Lara is currently Principal Faculty at AMDA\u00a0College and Conservatory of Performing Arts and was a 2021 Intercultural Leadership Institute Fellow. The Intercultural Leadership Institute is a year-long intensive leadership experience for artists, culture bearers and other arts practitioners. ILI is a collaborative program of Alternate ROOTS, First Peoples Fund, National Association of Latino Arts &amp; Cultures (NALAC) and PA\u2019I\u00a0Foundation, with funding support from the Andrew W. Mellon Foundation, the National\u00a0Endowment for the Arts, amongst others.<\/p>\n<p><a href=\"https:\/\/marlodelara.squarespace.com\" target=\"_blank\">https:\/\/marlodelara.squarespace.com<\/a><\/p>\n<p>https:\/\/fractalmeat.bandcamp.com\/album\/callosity<\/p>\n<p>https:\/\/thecoldvacuumofspace.bandcamp.com\/album\/head-rush-ed<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Hvz-6BMZ8bU\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=Hvz-6BMZ8bU<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marlo de Lara N\u00e9e \u00e0 Baltimore, MD, Marlo De Lara (elle\/ils\/siya) a obtenu un doctorat en beaux-arts, histoire de l&#8217;art et \u00e9tudes culturelles de l&#8217;Universit\u00e9 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":3659,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[509],"tags":[593,592,594],"class_list":["post-3658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-22","tag-collage","tag-los-angeles","tag-marlo-de-lara"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=3658"}],"version-history":[{"count":1,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3658\/revisions"}],"predecessor-version":[{"id":3660,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3658\/revisions\/3660"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/3659"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=3658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=3658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=3658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}