{"id":3528,"date":"2022-07-13T14:30:31","date_gmt":"2022-07-13T14:30:31","guid":{"rendered":"http:\/\/electropixel.org\/?p=3528"},"modified":"2022-08-29T16:51:18","modified_gmt":"2022-08-29T16:51:18","slug":"ben-owen","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2022\/07\/13\/ben-owen\/","title":{"rendered":"Ben Owen"},"content":{"rendered":"\r\n\r\nBen Owen\r\nLe travail actuel de Ben Owen comprend des performances improvis\u00e9es et graphiques bas\u00e9es sur des partitions, des collaborations audio et vid\u00e9o et une \u00e9mission de radio Internet hebdomadaire. Ses premi\u00e8res \u00e9tudes sonores ont commenc\u00e9 avec les cassettes et la radio en direct, en tandem avec la gravure sur pierre et les projections de diapositives photographiques. Le processus d&#8217;impression lithographique d&#8217;Owen est \u00e9quilibr\u00e9 par la pr\u00e9servation pr\u00e9vue et la d\u00e9gradation naturelle des marques. Il trouve des similitudes inh\u00e9rentes compl\u00e9mentaires entre les cycles d&#8217;encrage et de r\u00e9ception de surface de la gravure, la cr\u00e9ation de marques par le dessin sur des pierres d&#8217;impression et les marques audio amplifi\u00e9es par des micros de contact et des enregistrements environnementaux. Owen s&#8217;int\u00e9resse \u00e0 la relation entre les aspects spatiaux des champs sonores existants, les environnements interm\u00e9diaires et la projection et la r\u00e9flexion de la lumi\u00e8re. les lieux sont une palette active et physique, un peu comme un cadre d&#8217;improvisation o\u00f9 le contr\u00f4le est abandonn\u00e9. \u00e0 travers la prise de notes et une attention \u00e0 l&#8217;instabilit\u00e9, il poursuit la pratique de l&#8217;\u00e9coute et de la r\u00e9ponse.\r\n\r\n\u00ab Ben Owen est un enqu\u00eateur, un explorateur et un illustrateur des propri\u00e9t\u00e9s physiques du monde que nous habitons. Son travail sur plusieurs supports, y compris le son, la vid\u00e9o et, surtout, la gravure sur pierre, est motiv\u00e9 par le d\u00e9sir de comprendre plus profond\u00e9ment la vie int\u00e9rieure et le caract\u00e8re des mat\u00e9riaux avec lesquels il travaille, plut\u00f4t que par une impulsion \u00e0 les contr\u00f4ler ou \u00e0 les mettre en \u0153uvre. Bien que Ben n&#8217;h\u00e9site pas \u00e0 utiliser l&#8217;ordinateur, il s&#8217;int\u00e9resse beaucoup plus au riche dynamisme des structures et des forces qu&#8217;il \u00e9tudie \u2014 \u00e9lectricit\u00e9, lumi\u00e8re, encre, acoustique spatiale, enregistrements de terrain \u2014 qu&#8217;\u00e0 la puissance et \u00e0 la pr\u00e9cision des techniques pilot\u00e9es par logiciel. \u2013Morgan Packard\r\n<a href=\"http:\/\/benowen.info\/?fbclid=IwAR1tOHlbvtlNDtFpYQXDsrDrAXMlDPMAgFunvnnLF2nA5bNveEuVRuugJgM\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/benowen.info\/<\/a> | <a href=\"https:\/\/ben-owen.bandcamp.com\/?fbclid=IwAR2kss4OMm816V5C_6RLqC0ccDHwvHb3mDqcUmQQDecaCsje_2uNSQN5E1M\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/ben-owen.bandcamp.com\/<\/a>\r\n\r\n<hr \/>\r\n\r\n\r\nBen Owen\r\nBen Owen\u2019s current work includes improvised and graphic score based performance, audio and video collaborations, and a weekly internet radio program. His early sound studies began with cassettes and live radio, in tandem with stone lithography printmaking and photographic slide projections. Owen\u2019s process of lithographic printing is balanced by the intended preservation and natural degradation of marks. He finds complimentary inherent similarities between the cycles of inking and surface reception of printmaking, mark making through drawing on printing stones, and audio marks amplified by contact mics and environmental recordings. Owen is interested in the relationship between the spatial aspects of existing sound fields, intervening environments, and the projection and reflection of light. locations are an active and physical palette, much like an improvisational setting where control is relinquished. through mark making, and an attention to instability he continues the practice of listening and response.\r\n\r\n \r\n\r\n\u201cBen Owen is an investigator, explorer and illustrator of the physical properties of the world we inhabit. His work across multiple media, including sound, video and, importantly, stone litho printmaking, is motivated by a desire to more deeply understand the inner life and character of the materials he works with, rather than an impulse to control or implement them. While Ben doesn\u2019t shy away from the use of the computer, he is much more interested in the rich dynamism of the structures and forces he investigates \u2014 electricity, light, ink, spatial acoustics, field recordings \u2014 than in the power and precision of software-driven techniques.\u201d \u2013 Morgan Packard\r\n<a href=\"http:\/\/benowen.info\/?fbclid=IwAR1tOHlbvtlNDtFpYQXDsrDrAXMlDPMAgFunvnnLF2nA5bNveEuVRuugJgM\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/benowen.info\/<\/a> | <a href=\"https:\/\/ben-owen.bandcamp.com\/?fbclid=IwAR2kss4OMm816V5C_6RLqC0ccDHwvHb3mDqcUmQQDecaCsje_2uNSQN5E1M\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/ben-owen.bandcamp.com\/<\/a>\r\n\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>Ben Owen Le travail actuel de Ben Owen comprend des performances improvis\u00e9es et graphiques bas\u00e9es sur des partitions, des collaborations audio et vid\u00e9o et une [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":3572,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[508],"tags":[539],"class_list":["post-3528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nyc-22","tag-ben-owen"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=3528"}],"version-history":[{"count":2,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3528\/revisions"}],"predecessor-version":[{"id":3573,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3528\/revisions\/3573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/3572"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=3528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=3528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=3528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}