{"id":3276,"date":"2021-07-19T13:10:28","date_gmt":"2021-07-19T13:10:28","guid":{"rendered":"http:\/\/electropixel.org\/?p=3276"},"modified":"2021-08-10T12:24:49","modified_gmt":"2021-08-10T12:24:49","slug":"gabriel-vogel-4","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2021\/07\/19\/gabriel-vogel-4\/","title":{"rendered":"Gabriel Vogel"},"content":{"rendered":"

\"IMG_1104_modif-700x467\"<\/a><\/p>\n

Pur Signal<\/em>
\nLe proc\u00e9d\u00e9 “Pur Signal” consiste en une orchestration en direct de jeux de sources microphoniques de type pi\u00e9zo\u00e9lectrique, install\u00e9s sur des machines rotatives et des tourne-disques modifi\u00e9s. Les rotations des machines assurent
\nla lin\u00e9arit\u00e9 des signaux et des boucles. Le son non num\u00e9rique. La puissance des signaux sans limites n\u00e9cessite un contr\u00f4le et une mod\u00e9ration. Les rotations m\u00e9caniques g\u00e9n\u00e8rent des boucles qui sont subtilement diff\u00e9rentes les unes des autres, bien que similaires en apparence, en raison de l’entra\u00eenement par courroie. L’irr\u00e9gularit\u00e9 presque imperceptible des tours donne un son singuli\u00e8rement al\u00e9atoire \u00e0 chaque boucle.
\nUn son singuli\u00e8rement al\u00e9atoire \u00e0 chaque boucle, provoquant un \u00e9tat de calme parmi le public.
\nLes signaux r\u00e9sultent des chocs, des frictions, des vibrations et des champs magn\u00e9tiques capt\u00e9s par les microphones Piezo directement connect\u00e9s \u00e0 deux tables de mixage. Une orchestration spontan\u00e9e est jou\u00e9e depuis ces tables en utilisant des signaux purs. Les signaux purs sont envoy\u00e9s au syst\u00e8me de sonorisation. La puissance des haut-parleurs, la complexit\u00e9 de leur projection sonore, la massivit\u00e9 des basses, participent \u00e0 l’orchestration finale de Pur Signal.
\nl’orchestration finale en Pur Signal. La performance peut \u00eatre jou\u00e9e sur des syst\u00e8mes st\u00e9r\u00e9o ou quadriphoniques.
\nou quadriphoniques”.<\/p>\n

Gabriel Vogel<\/em>
\nInstall\u00e9 \u00e0 Nantes depuis 2000, Gabriel Vogel est un artiste sonore, batteur et peintre. Il explore le champ musical de mani\u00e8re m\u00e9ticuleuse. Il enregistre, fa\u00e7onne et cr\u00e9e ses pi\u00e8ces sonores comme un sculpteur. Le mouvement est important, la pr\u00e9cision indispensable, l’imagination au rendez-vous. Il con\u00e7oit \u00e9galement ses propres instruments, construits \u00e0 partir d’\u00e9l\u00e9ments recycl\u00e9s, recycl\u00e9s de mani\u00e8re sonore.
\nUne percussion automatique, un nouvel instrument qui invite \u00e0 se laisser aller. A se perdre toujours plus se perdre toujours plus profond\u00e9ment dans les nuances de lumi\u00e8re des mat\u00e9riaux. Et \u00e0 \u00e9couter, encore et encore, le frottement, le tintement, le battement du m\u00e9tal contre le m\u00e9tal.<\/p>\n

\n

English<\/strong><\/p>\n

Pur Signal<\/em>
\n\u2018Pur Signal’ process consists of live orchestrations of sets of Piezo, pickup-type microphone sources,
\ninstalled on rotating machines and modified record players. The rotations of the machines provide
\nlinearity of signals and loops. Non-digital sound. The power of signals without limits requires control and
\nmoderation. Mechanical rotations generate loops that are subtly different from each other, although
\nsimilar in appearance, due to belt drive. The almost imperceptible irregularity of the turns results in a
\nsingularly random sound at each loop, provoking a state of calm amongst the audience.
\nThe signals result from shocks, friction, vibrations and magnetic fields picked up by the Piezo
\nmicrophones, directly connected to two mixing desks. Spontaneous orchestration is played from these
\ntables using pure signal. Pure signals are sent to the sound system. The power of the speakers, the
\nintricate nature of their sound projection, the massiveness of the bass, all participate in the final
\norchestration in Pur Signal. The performance can be played on either stereo or on quadraphonic
\nsystems”<\/p>\n

Gabriel Vogel<\/em>
\nBased in Nantes since 2000, Gabriel Vogel is a sound artist, drummer and painter. He explores the
\nmusical field in a meticulous way. He records, shapes and creates his sound pieces like a sculptor. The
\nmovement is important, the precision indispensable, the imagination at the rendez-vous. He also designs
\nhis own instruments, built from recycled elements, recycled in a sonorous way.
\nAn automatic percussion, a new instrument that invites you to let yourself go. To lose oneself ever more
\ndeeply in the shades of light of the materials. And to listen, again and again, to the rubbing, the tinkling,
\nthe beating of metal against metal.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pur Signal Le proc\u00e9d\u00e9 “Pur Signal” consiste en une orchestration en direct de jeux de sources microphoniques de type pi\u00e9zo\u00e9lectrique, install\u00e9s sur des machines rotatives […]<\/p>\n","protected":false},"author":6,"featured_media":3277,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[480,484,487],"tags":[],"class_list":["post-3276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-freeflowresidence","category-freeflow","category-freeflowlinz"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=3276"}],"version-history":[{"count":6,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3276\/revisions"}],"predecessor-version":[{"id":3314,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3276\/revisions\/3314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/3277"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=3276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=3276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=3276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}