{"id":3228,"date":"2021-08-01T14:43:42","date_gmt":"2021-08-01T14:43:42","guid":{"rendered":"http:\/\/electropixel.org\/?p=3228"},"modified":"2021-08-23T12:57:25","modified_gmt":"2021-08-23T12:57:25","slug":"thomas-bigot-nada","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2021\/08\/01\/thomas-bigot-nada\/","title":{"rendered":"THOMAS BIGOT &#038; NA\/DA"},"content":{"rendered":"<p><a href=\"https:\/\/electropixel.org\/wp-content\/uploads\/2021\/07\/Screenshot_2021-07-01_16-30-02.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3229 aligncenter\" src=\"https:\/\/electropixel.org\/wp-content\/uploads\/2021\/07\/Screenshot_2021-07-01_16-30-02-500x281.png\" alt=\"Screenshot_2021-07-01_16-30-02\" width=\"660\" height=\"371\" srcset=\"https:\/\/electropixel.org\/wp-content\/uploads\/2021\/07\/Screenshot_2021-07-01_16-30-02-500x281.png 500w, https:\/\/electropixel.org\/wp-content\/uploads\/2021\/07\/Screenshot_2021-07-01_16-30-02-1024x576.png 1024w, https:\/\/electropixel.org\/wp-content\/uploads\/2021\/07\/Screenshot_2021-07-01_16-30-02.png 1366w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>\u00c0 l&#8217;occasion de la soir\u00e9e Flux2flix, le vendredi 27 ao\u00fbt, retrouvez Thomas Bigot &amp; NA\/DA<\/strong><\/p>\n<p><strong>Thomas Bigot :<\/strong><\/p>\n<p>synth\u00e9tiseurs modulaires artisanaux.<\/p>\n<p>Son travail se d\u00e9cline autour de peintures, installations, cr\u00e9ation d&#8217;instruments \u00e9lectroniques et recherches en spatialisation sonore.<\/p>\n<p>Le rapport au son dans l \u0301espace a toujours \u00e9t\u00e9 pr\u00e9sent dans ses productions, aussi bien dans l \u0301\u00e9vocation musicale de ses peintures que dans ses installations qui utilisent la logique et les mat\u00e9riaux constituant la g\u00e9n\u00e9ration du son lui m\u00eame comme \u00e9l\u00e9ment pictural, et aussi dans des performances sonores souvent diffus\u00e9es en multiphonie.<\/p>\n<p><strong>NA\/DA :<\/strong><\/p>\n<p>Le m\u00e9dium de base est la peinture projet\u00e9e via 2 r\u00e9troprojecteurs qui composent une seule image. Il s\u2019agit d\u2019un dispositif totalement optique qui d\u00e9roule l\u2019intention dans l\u2019instant.<\/p>\n<p>Avec les projections de peinture live, (via des r\u00e9troprojecteurs), je peins des compositions \u00e9ph\u00e9m\u00e8res tr\u00e8s textur\u00e9es et souvent color\u00e9es. Je d\u00e9roule des histoires abstraites jouant des sensations visuelles sur l&#8217;\u00e9motionnel par des transformations lentes, douces ou soudaines, chromatiques, rythmiques, finalement assez sonores.<\/p>\n<p>Les cadrages et types de supports de projection sont aussi un terrain d\u2019exp\u00e9rimentation significatif, (simples \u00e9crans, sculptures, murs textur\u00e9s ou parcours troglodytes&#8230; )<\/p>\n<p>Cette pratique en temps r\u00e9el a \u00e9t\u00e9 utilis\u00e9 lors de nombreux projets collectifs, notamment avec des musiciens et des danseurs.<\/p>\n<hr \/>\n<p><strong>English<\/strong><\/p>\n<p><strong>On the occasion of the Flux2flix evening, Friday August 27th, meet Thomas Bigot &amp; NA\/DA<\/strong><\/p>\n<p><strong>Thomas Bigot :<\/strong><\/p>\n<p>handcrafted modular synthesizers.<\/p>\n<p>His work is declined around paintings, installations, creation of electronic instruments and research in sound spatialization.<\/p>\n<p>The relationship to sound in space has always been present in his productions, both in the musical evocation of his paintings and in his installations that use the logic and materials constituting the generation of sound itself as a pictorial element, and also in sound performances often broadcast in multiphonic.<\/p>\n<p><strong>NA\/DA:<\/strong><\/p>\n<p>The basic medium is paint projected via 2 overhead projectors that compose a single image. It is a totally optical device that unfolds the intention in the moment.<\/p>\n<p>With the live paint projections, (via overhead projectors), I paint very textured and often colorful ephemeral compositions. I unfold abstract stories playing with visual sensations on the emotional level through slow, soft or sudden, chromatic, rhythmic transformations, finally quite sonorous.<\/p>\n<p>The framing and types of projection supports are also a significant field of experimentation, (simple screens, sculptures, textured walls or troglodyte paths&#8230;)<\/p>\n<p>This practice in real time has been used in many collective projects, notably with musicians and dancers.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/395163422\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/395163422\">Compil Orage Modulaire<\/a> from <a href=\"https:\/\/vimeo.com\/0arebeautiful\">Na<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 l&#8217;occasion de la soir\u00e9e Flux2flix, le vendredi 27 ao\u00fbt, retrouvez Thomas Bigot &amp; NA\/DA Thomas Bigot : synth\u00e9tiseurs modulaires artisanaux. Son travail se d\u00e9cline [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":3229,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[483,484,1],"tags":[],"class_list":["post-3228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fluxflix","category-freeflow","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=3228"}],"version-history":[{"count":6,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3228\/revisions"}],"predecessor-version":[{"id":3361,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3228\/revisions\/3361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/3229"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=3228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=3228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=3228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}