{"id":3163,"date":"2021-08-24T12:33:20","date_gmt":"2021-08-24T12:33:20","guid":{"rendered":"http:\/\/electropixel.org\/?p=3163"},"modified":"2021-08-20T16:34:15","modified_gmt":"2021-08-20T16:34:15","slug":"3163","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2021\/08\/24\/3163\/","title":{"rendered":"Red Pill"},"content":{"rendered":"

\"reddpill2\"
\nBienvenue sur le BioNet \/ Votre corps infiltr\u00e9 \/ Votre microbe compromis \/ Vos micro-calculs de sang rouge \/ Vos codes de sang rouge ADN \/ Votre sang rouge est votre devise actuelle \/ Poussez-moi avec votre foutu argent \/ G pour Giblings \/ Giblings pour “giving” \/ Donner pour pardonner \/ Serre-moi la main \/ Serre-moi fort \/ Je veux tes donn\u00e9es humides \/ Fais-moi une pilule rouge \/ Avale la pilule rouge \/ AutoInduction SenSexual \/ Ton plaisir est notre affaire \/ Toi et moi ne vivons pas la m\u00eame r\u00e9alit\u00e9 virale. <\/strong><\/p>\n

Shu Lea Cheang<\/h4>\n

Shu Lea Cheang est une artiste et cin\u00e9aste ta\u00efwanaise-am\u00e9ricaine qui, au cours de la derni\u00e8re d\u00e9cennie, est devenue une figure de premier plan dans l’art des nouveaux m\u00e9dias. Cheang est l’un des principaux artistes multim\u00e9dias traitant de sujets multidisciplinaires. Elle est consid\u00e9r\u00e9e comme une figure pionni\u00e8re de l’art bas\u00e9 sur Internet, avec son approche multim\u00e9dia \u00e0 l’interface entre le film, la vid\u00e9o, l’installation bas\u00e9e sur Internet, l’interaction logicielle et la performance dans la dur\u00e9e. Son travail est souvent interactif. Elle est surtout connue pour son approche individuelle dans le domaine de l’art et de la technologie, m\u00ealant de mani\u00e8re cr\u00e9ative les probl\u00e8mes sociaux aux m\u00e9thodes artistiques.<\/p>\n

Le travail de Cheang utilise des films, des vid\u00e9os, des installations bas\u00e9es sur le net et des interfaces pour explorer \u00ab … les st\u00e9r\u00e9otypes ethniques, la nature et les exc\u00e8s des m\u00e9dias populaires, le pouvoir institutionnel \u2013 et surtout gouvernemental \u2013, les relations raciales et la politique sexuelle. \u00bb Cheang a \u00e9galement \u00e9crit et r\u00e9alis\u00e9 les longs m\u00e9trages IKU et Fluide\u00f8. <\/p>\n

 <\/p>\n

\nEnglish<\/strong><\/p>\n

Welcome to the BioNet \/ Your body infiltrated \/ Your microbe compromised \/ Your red blood micro-computes \/ Your red blood codes DNA \/ Your red blood is your current currency \/ Shove me with your bloody money \/ G for Giblings \/ Giblings for giving \/ Giving for forgiving \/ Shake me hands \/ Hold me tight \/ I want your wet data \/ Make me a red pill \/ Swallow the red pill \/ SenSexual AutoInduction \/ Your pleasure our business \/ You and I don\u2019t live the same viral reality.<\/strong><\/p>\n

Welcome to the era of BioNet, a corporate scheme to claim, alter, reconfigure our biodata. Using bacteria as foreign \\’91agents\\’92 to enter the human body, GENOM Co. can then reprogram the erythrocytes, to transfuse the membranes of red blood cells. Red blood cells which function as carriers to deliver oxygen to the body tissues via blood flow through the circulatory system, is reconfigured into DNA retainers with possibilities to store and reprocess data\/memories. The hype of microbio research has certified UKI\\’92s science fiction imagination. Taking from the plot of Shu Lea Cheang\\’92s UKI, a sci-fi viral alt-reality cinema in the making, RED PILL is an oral pill made by GENOM Co. which gives instant, ultimate consumption of climactic pleasure. In an era of post-net-crash, GENOM Co. exits the Net and takes the human body hostage to initiate BioNet, a network made up of re-engineered red blood cells (erythrocytes) capable of self-generating orgasmic data. In its profitable biotech engineering scheme, GENOM Co. further harvests orgasmic data transactions to produce red pills for mass pharmaceutical markets. “RED PILL – Your Pleasure Our Business” tells of the profitable BioNet scheme of GENOM Co.<\/p>\n

Derived from the “no handshake” rules adopted during the current pandemic, GENOM Co. instigates handshakes as a means of DNA data exchange. The distinct sound of a 64K modem dial-up signifies a network handshake being established. Each human body is a network node, and through shaking hands, ever-expanding the BioNet. UKI is a science fiction fantasia cinema that responds to current advancement in bioinformatics, bio-engineering and mobile digital media. The research of bio-science in Genomics and Synthetic biology is remapping our body construct. Body parts can be replaced by micro-organism. Microchips implanted beneath the skin for data-tracking purposes have exposed our bodies for intervention. Mobile phones with sensors embedded are our extended prostheses, tracking our geo-locations, body movements, border crossings, making us part of a meta-integrated network surveillance structure. We are part of all integrated circuits of bio-networks which own our personal bio-infodata.<\/p>\n

This release marks the launch of 2021 pre-production for Cheang’s feature length movie, UKI, conceived as a sequel to Cheang’s sci-fi cyberpunk feature I.K.U. (2000, Sundance Film Festival premiere). Cheang developed the UKI concept during her residency at Hangar media lab in Barcelona in 2009 and has since presented the concept in various media formats, including a live cinema performance and an interactive game with bio-sensors. Since 2017, Cheang has engaged in developing UKI concept into a feature length film for cinema release. Learn more about I.K.U here: https:\/\/rhizome.org\/editorial\/2015\/may\/26\/iku-experience-shu-lea-cheang-phenomenon\/<\/a><\/p>\n

Shu Lea Cheang<\/h4>\n

Shu Lea Cheang is a Taiwanese-American artist and filmmaker who over the past decade, has emerged as a prominent figure in new media art. Cheang is one of the leading multimedia artists dealing with multidisciplinary topics. She is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction and durational performance. Her work is often interactive. She is most noted for her individual approach in the realm of art and technology, creatively intermingling social issues with artistic methods.<\/p>\n

Cheang’s work employs film, video, net-based installation, and interface to explore “…ethnic stereotyping, the nature and excesses of popular media, institutional \u2013 and especially governmental \u2013 power, race relations, and sexual politics.” Cheang has also written and directed the feature films I.K.U. and Fluid\u00f8. <\/p>\n

http:\/\/stwst.at<\/a>
\nhttps:\/\/punkaustria.at\/editionen.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bienvenue sur le BioNet \/ Votre corps infiltr\u00e9 \/ Votre microbe compromis \/ Vos micro-calculs de sang rouge \/ Vos codes de sang rouge ADN […]<\/p>\n","protected":false},"author":1,"featured_media":3190,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[481,484],"tags":[490,499,498],"class_list":["post-3163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-freeflowexposition","category-freeflow","tag-exhibition","tag-giblings","tag-shu-lea-cheang"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=3163"}],"version-history":[{"count":12,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3163\/revisions"}],"predecessor-version":[{"id":3195,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/3163\/revisions\/3195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/3190"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=3163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=3163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=3163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}