{"id":266,"date":"2016-08-21T16:30:19","date_gmt":"2016-08-21T16:30:19","guid":{"rendered":"http:\/\/apo33.org\/electropixel\/?p=266"},"modified":"2016-06-30T11:33:03","modified_gmt":"2016-06-30T11:33:03","slug":"sandrine-deumier-intemporal-analogic-sound","status":"publish","type":"post","link":"https:\/\/electropixel.org\/index.php\/2016\/08\/21\/sandrine-deumier-intemporal-analogic-sound\/","title":{"rendered":"Sandrine Deumier + Intemporal Analogic Sound"},"content":{"rendered":"

Sandrine Deumier + Intemporal Analogic Sound<\/b><\/span><\/span><\/span><\/p>\n

Performance le dimanche 21 Ao\u00fbt \u00e0 16h30<\/span><\/span><\/p>\n

Performance on August, sunday 21st at 4.30pm<\/span><\/span><\/p>\n

Sandrine Deumier – France<\/span><\/span><\/span><\/p>\n

Using the matter of word as a picture and the picture as a vector for the word, she’s experimentating the video media and sonorous poetry as a sensible device to express a form of self-unconscious matter. Writing process and mobile matter work in a flow of implied significations that reflect and bounce to the wavering of reality via unconscious thoughts. Her work is essentially composed by poetry, videopoetry, multimedia installations and poetic performances composed with others composers.<\/span><\/span><\/span><\/p>\n

Intemporal Analogic Sound<\/span><\/span><\/span><\/p>\n

In 2011, Cyril Badaut starts his work on vinyl support from a scrached disk meant to be numerized. He found here the matter that he’s looking for his compositions : <\/span>T<\/span>he sound issued by the engraved radius, <\/span>a broken record lap, the crunch and the impact of <\/span>a <\/span>sound from the diamond of a read head… <\/span>His work is based on numerization and transformation of these recorded sounds. The idea behind is to make remembrances going on the surface of memory to create powerful feelings from this. <\/span>His first minimalist abstract music album has been out under the name of Intemporal Analogic Sound on september 2012, titled \u201cCore\u201d.<\/span><\/span><\/span><\/p>\n

Sandrine Deumier – France<\/span><\/span><\/p>\n

Utilisant la mati\u00e8re du mot comme image et l\u2019image comme vecteur du mot, elle exp\u00e9rimente le medium vid\u00e9o et la po\u00e9sie sonore comme un dispositif sensible pour exprimer une forme de mati\u00e8re inconsciente du soi. Processus d\u2019\u00e9criture et mati\u00e8re mobile de l\u2019image fonctionnent alors dans un reflux de significations sous-jacentes qui renvoient au vacillement du r\u00e9el et \u00e0 ses transferts de r\u00e9alit\u00e9 via des structures de pens\u00e9es inconscientes. Son travail se compose essentiellement de textes po\u00e9tiques, de vid\u00e9opo\u00e8mes, d\u2019installations multim\u00e9dia et de performances po\u00e9tiques audiovisuelles en collaboration avec des compositeurs.<\/span><\/span><\/span><\/p>\n

Intemporal Analogic Sound<\/span><\/span><\/span><\/p>\n

En 2011, Cyril Badaut commence son travail sur le support vinyle, \u00e0 partir d\u2019un disque ray\u00e9 destin\u00e9 \u00e0 \u00eatre num\u00e9ris\u00e9, rest\u00e9 par inadvertance sur une platine pendant sa num\u00e9risation. Il trouve l\u00e0 la mati\u00e8re qu\u2019il cherche pour ses compositions ; le son \u00e9mis par le rayon grav\u00e9 d\u2019un son blanc, d\u2019un tour de disque ray\u00e9 ; le craquement et l\u2019impact du son transmis par le diamant d\u2019une t\u00eate de lecture. Son travail consiste alors \u00e0 num\u00e9riser puis transformer le son enregistr\u00e9. Le propos est de faire ressortir en chacun le souvenir d\u2019un sentiment fort qui a anim\u00e9 le pass\u00e9 de tous. Son premier album de musique minimaliste abstraite sort sous le nom de Intemporal Analogic Sound en septembre 2012 avec pour titre \u201cCore\u201d.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Sandrine Deumier + Intemporal Analogic Sound Performance le dimanche 21 Ao\u00fbt \u00e0 16h30 Performance on August, sunday 21st at 4.30pm Sandrine Deumier – France Using […]<\/p>\n","protected":false},"author":1,"featured_media":389,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":"","footnotes":""},"categories":[58,57,61],"tags":[],"class_list":["post-266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts6","category-electro6","category-performances6"],"_links":{"self":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":6,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/266\/revisions"}],"predecessor-version":[{"id":616,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/posts\/266\/revisions\/616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media\/389"}],"wp:attachment":[{"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/media?parent=266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/categories?post=266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/electropixel.org\/index.php\/wp-json\/wp\/v2\/tags?post=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}